11/12/2022 0 Comments Caravan palace twitter![]() Their Myspace following mushroomed, their gigs started selling out and within 18 months Caravan Palace had signed a record deal. They found the half-Spanish Colotis on the social networking website Myspace - she moved 250km to Paris after a single audition, despite Vial refusing to speak to her - and when the film, a pilot, bombed, continued making music together. “Jazz and, well, hip-hop by then - we’d stopped trying to sound like Portishead because we were terrible at it.” “So we mixed the two sides of our lives,” Vial says. Delaporte’s brother, a film editor, o ered them the soundtrack job if they could come up with songs that sounded at once old and new. Vial and Delaporte, at the time both 20 and friends from school, had been making trip-hop music at home while paying their rent by performing in a live jazz band. ![]() But we’ll take style over views anyĬaravan Palace in fact formed to score a remake of a 1920s porn film for French TV. Something strange and of course it’s not great for business, having to sign in to see it. “When we first saw it we thought, ‘Oh no, not again,’ ” Colotis says. The guy being tied up? Maybe that’s too much, but there’s worse you see online every day.” Dicks and pussies they have a problem with. After Lone Digger we say, ‘No more violence,’ but we were wrong. “But they don’t give a shit what we ask for. “Each time we tell them, ‘Don’t be too trash, try to be mainstream,’ ” says Charles Delaporte, the double bassist. “The real miracle here is that this is still on YouTube,” is one of the comments below an animated soft porno that features full- frontal nudity, a dominatrix, a man clamped to a revolving wheel and some seriously disturbing flowers.Ĭreated by the same French animators who made the risqué videos for Wonderland (a feminist/bondage fantasy) and Lone Digger (an animal bloodbath begun by suave cats in a pole- dancing club), the Miracle visuals bear no relation to the song’s lyrics of brotherly love or, according to Caravan Palace, to the brief they submitted. The first single, Miracle, not only largely ditched Caravan Palace’s trademark jazz for dreamy electronica, but it arrived with a video so pornographic you have to sign in as an adult on YouTube to view it. Or perhaps I should say freaking them out. Ask for the band’s reasoning and they’ll talk only of their love of Daft Punk.Ĭhronologic, their fourth album, out in a fortnight, has a title, but still delights in wrong-footing fans. ![]() The trio of tracks that have been the band’s biggest viral successes so far - Lone Digger, Wonderland and Aftermath, the video for which spawned millions of memes - came from their third album, released four years ago with the unpronounceable title. Who wants to see us eating food? I’m sorry, today we post nothing. ![]() Is it an Asian thing? It is only for kids? We don’t understand how we are on there.”Ĭolotis says: “We like to watch other people’s videos, but we don’t like to be social ourselves. “TikTok is a mystery for us,” says the band’s guitarist Arnaud Vial with a shrug. When they play the song at Wilderness, screaming youngsters run in from all corners. ![]() Their Spotify streams are fast heading towards the half-billion mark, and last year Caravan Palace became surprise stars on the world’s most downloaded app, the teenage-friendly TikTok, when 1.2 billion watched fan-made videos set to the sax soaked Wonderland. Incredibly, considering their absence of interest in self- promotion, they have since exploded on social media, first on Facebook, then YouTube, where they have more than a million subscribers and have racked up hundreds of millions of views for individual videos, including Lone Digger and Wonderland. Their 2008 debut album, Caravan Palace, spent 68 weeks in the French charts and went gold, while their chaotic, mob-handed stage shows made them festival favourites across Europe. Two days later a nine-second clip of their set, mostly showing the bouncing crowd, appears on Instagram and gets a grand total of two comments.įormed 12 years ago as a trio, Caravan Palace took o as part of a short-lived scene called electro-swing, which mixed house and Hip Hop with Jazz and Swing. “Don’t worry, we will,” says the singer Zoé Colotis, a high- kicking, Charleston-dancing powerhouse on stage, now so chilled she can’t be bothered to change out of her sweat-soaked PVC trousers and is spraying them with a vodka-based DIY deodorant instead. “Did you at least post some video?” asks the manager, now slumped on the floor of the band’s Portakabin with his head in his hands. ![]()
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